fancied that such lip-curves
were mostly lurking underground in the South as fragments of forgotten
marbles. So fine were the lines of her lips that, though full, each
corner of her mouth was as clearly cut as the point of a spear. This
keenness of corner was only blunted when she was given over to sudden
fits of gloom, one of the phases of the night-side of sentiment which
she knew too well for her years.
Her presence brought memories of such things as Bourbon roses, rubies,
and tropical midnight; her moods recalled lotus-eaters and the march in
Athalie; her motions, the ebb and flow of the sea; her voice, the viola.
In a dim light, and with a slight rearrangement of her hair, her general
figure might have stood for that of either of the higher female deities.
The new moon behind her head, an old helmet upon it, a diadem of
accidental dewdrops round her brow, would have been adjuncts sufficient
to strike the note of Artemis, Athena, or Hera respectively, with as
close an approximation to the antique as that which passes muster on
many respected canvases.
But celestial imperiousness, love, wrath, and fervour had proved to be
somewhat thrown away on netherward Egdon. Her power was limited, and the
consciousness of this limitation had biassed her development. Egdon was
her Hades, and since coming there she had imbibed much of what was dark
in its tone, though inwardly and eternally unreconciled thereto. Her
appearance accorded well with this smouldering rebelliousness, and
the shady splendour of her beauty was the real surface of the sad and
stifled warmth within her. A true Tartarean dignity sat upon her brow,
and not factitiously or with marks of constraint, for it had grown in
her with years.
Across the upper part of her head she wore a thin fillet of black
velvet, restraining the luxuriance of her shady hair, in a way which
added much to this class of majesty by irregularly clouding her
forehead. "Nothing can embellish a beautiful face more than a narrow
band drawn over the
Notka biograficzna
Various, or Various Production, is an English dubstep/electronic music duo formed in 2003. The group blends samples, acoustic and electronic instrumentation, and singing from a revolving cast of vocalists. Its members, Adam and Ian, purposefully give very little information about the group or themselves, and tend to do little in the way of self-promotion.[1] Nevertheless, the group began winning critical acclaim with its single releases in 2005 and 2006.[2] Their full-length for XL, The World is Gone, arrived in July of 2006.[3][4][5][6][7] They have released a large number of vinyl EPs and 7 records, as well as digital exclusives for Rough Trade, iTunes, and Boomkat.[8]
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Thomas Hardy, OM (June 2, 1840 January 11, 1928) was an English novelist, short story writer, and poet of the naturalist movement, though he saw himself as a poet and wrote novels mainly for financial gain only. The bulk of his work, set mainly in the semi-imaginary county of Wessex, delineates characters struggling against their passions and circumstances. Hardys poetry, first published in his fifties, has come to be as well regarded as his novels, especially after The Movement of the 1950s and 1960s.